Wednesday, December 05, 2007
Maximo and Bartola - The Aztec Children
Maximo and Bartola first appeared in 1848 and the hoax perpetrated by their handler in the spirit of shameless promotion not only sustained their long careers, but also the careers of two generations to come.

Maximo and Bartola were born microcephalic and were originally from the village of Decora in St. Salvador. The pair were quite intellectually slow and required special care. Their mother, Marina Espina, was conned into handing her unique children over to a Spanish trader named Ramon Selva. Ramon promised to take the pinheaded children to America, where he assured Maria they would be cured of their condition. Instead, Ramon sold Maximo and Bartola to an American promoter named Morris.

Morris concocted an incredible story to introduce the children to the American public.

At the time, America was frothing around the display of 'ethnological curiosities'. Interest in the Mayan civilization was peaking due to recent explorations and publications. Morris sold a forty-eight page booklet in conjunction with his exhibiting of Maximo and Bartola to capitalize on the recent appetite of the public. Life of the Living Aztec Children told the elaborate 'true story' surrounding the discovery of Maximo and Bartola in an Aztec temple in a lost city.

The booklet alleged that Maximo and Bartola were found squatting on alters and that they were members of a sacred race once worshipped by the city's inhabitants. To further this claim Morris dressed the pair in Aztec-looking garb. Both wore costumes featuring Aztec suns sewn onto the front and their hair was allowed to grow bushy. This combined with their diminutive stature and proportionately small heads did give them a highly unusual appearance. But would the public believe they were members of a lost race?

Rather than scoff at these wild claims, the public actually believed the pitch. To those who viewed them, Maximo and Bartola were the last remnants of an ancient civilization.

Not only did the public show a great amount of interest, the scientific community clamoured for a chance to examine the Aztec Children. Numerous papers were published on the topic of Maximo and Bartola including the American Journal of Medical Sciences. Soon Maximo and Bartola were the darlings of the general public and high society. Eventually, they visited the White House as guests of President Fillmore.

In 1853 Morris took Maximo and Bartola to England. There they were exhibited before the Ethnological Society and summoned to Buckingham Palace. During their public exhibition in London, they attracted three thousand people in just two days. Anatomist Prof. Richard Owen visited Maximo and Bartola and soon he and the rest of the European scientific community were debating exactly what the Aztec Children were and these debates further fueled their popularity. During their subsequent tour of Europe they appeared before Napoleon and his imperial family, the emperor of Russia, the emperor of Austria as well as the kings and queens of Bavaria, Holland and Belgium. Everywhere Maximo and Bartola went, controversy and conjecture followed. To many, they were indeed examples of an unknown race of people; they were the last of the Aztec Children.

Maximo and Bartola eventually returned to the United States, this time for exhibition at Barnum's American Museum. Barnum renamed the duo as 'The Aztec Wonders' and many of the photos that exist of Maximo and Bartola are from this era of their career. Eventually interest in the pair died down as reporters and the scientific community moved on to other more legitimate discoveries. In an attempt to rekindle public interest, they resurfaced on January 7, 1867 in London and appeared to marry each other. They were married under the names of Senior Maximo Valdez Nunez and Senora Bartola Velasquez and, despite being brother and sister, it was alleged that by 'Aztec Culture' such a marriage was allowed.

The publicity attempt was a complete failure and nary was an eyebrow raised.

It is alleged that Maximo and Bartola continued to be exhibited until 1901 under the care of several different managers; the details of their eventual end are unknown.

Maximo and Bartola were the first of The Aztec Children. For decades after that, most pinheads, even the famous Schlitzie the Pinhead, were advertised as members of a long and formerly forgotten race.


ACKNOWLEDGMENTS

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Written by J. Tithonus Pednaud
Link to this Human Marvels article
Friday, August 24, 2007
Schlitzie the Pinhead
The true identity of the pinhead known as Schlitzie is still somewhat debatable. The most common opinion is that Schlitzie was born as Simon Metz on September 10, 1901 in the Bronx. His birth parents remain mysterious figures to this day and young Simon was likely ‘sold’ to a showman for display. Yet, despite his rather traumatic beginning, Schlitzie would go on to be one of the most beloved attractions of all time.

Schlitzie was born microcephalus, a condition characterised by an abnormally small and often pointed cranium. The condition often resulted in retardation and Schlitzie himself was as cognitive as a four year old. Previous to Schlitzie, the display and exhibiting of ‘pinheads’ was nothing new. In the 1800’s pinheads were often exhibited as a species apart from man, as the last members of an ancient race – usually Aztecs – and on occasion they were billed as being from another planet. During his lifetime, Schlitzie was exhibited as all of these things. Schlitzie was most famously preceded by the pinhead Zip, and even today pinheads enjoy popularity as a microcephalus man dubbed Beetlejuice frequents The Howard Stern Show.

For much of his career, Schlitzie was billed as female. This was mostly due to his dress-like attire which was an attire choice based purely on his incontinence. While popular with crowds, Schlitzie’s biggest fans were his colleagues and caretakers. To sum up the reason for this fondness is difficult but the wonderment Schlitzie held for the daily mundane, his childlike exuberance, his eternal innocence greatly influenced those around him. Schlitzie was a ray of sunshine, and his smile and unconditional love shined on all those around him.

During his long career Schlitzie entertained millions of carnival and film goers with his antics. He was perhaps best known for his role in the Tod Browning cult classic film Freaks – though he also appeared in Island Of Lost Souls opposite Charles Laughton and Bela Lugosi. As a sideshow entertainer, Schlitzie was employed by every major name in the business. Ringling Bros. and Barnum & Bailey Circus, Clyde Beatty Circus, Tom Mix Circus, West Coast Shows, Vanteen & Lee Circus Sideshow, and the Dobritsch International Circus all had Schlitzie in their shows at some point.

Although Schlitzie had no known biological family, during the 1936 season of the Tom Mix Circus sideshow George Surtees, a chimpanzee trainer, became Schlitzie's legal guardian. Surtees was, by all accounts, a caring and loving guardian but when he passed in the early 1960’s his daughter had Schlitzie committed to a Los Angeles County Hospital.

Schlitzie remained committed for some time, until he was recognized by sword swallower Bill Unks. Unks just happened to be working at the hospital during the off season when he noticed a very sad and depressed Schlitzie. Schlitzie missed the carnival, missed his friends and the adoration of the crowds. Hospital authorities eventually determined that the best care for Schlitzie would be to make him a ward of Unks' employer, showman Sam Kortes, and return to the sideshow.

Schlitzie never truly retired. He was eventually cared for by performer friends and settled in and apartment near MacArthur Park Lake in downtown Los Angeles. In his final years, Schlitzie could be seen feeding the pigeons and ducks with his guardian, performing for people as they passed by.

He continued to enchant crowds until his passing in 1971 at the age of 71.

For a personal account of the life of Schlitzie, click here.

ACKNOWLEDGMENTS

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Written by J. Tithonus Pednaud
Link to this Human Marvels article
Friday, May 05, 2006
The Pinhead - What is it?
So, what exactly is a pinhead?

A pinhead is a person born with a condition known as microcephaly. It is a neurological disorder and is characterized by a smaller than average head. Biologically, during conception the head fails to grow in time with the face - which continues to develop at a normal rate; this produces a person with a small head and a receding forehead. As the individual grows older, the smallness of the skull becomes more obvious, although the entire body also is often underweight and dwarfed. It is very common that the development of motor functions and speech are also usually delayed and mental retardation is common in persons with microcephaly. The term Microcephaly is really a blanket term for many similar disorders. It may be congenital or the result of various syndromes associated with chromosomal abnormalities. What is known is that pinheads have always been a very popular draw.

Most pinheads are shorter than average and have a very distinct appearance thus, during the early years of sideshow, many pinheads were exhibited as a variant species – The Missing Link or ‘The Last of the Aztecs’ were common monikers. There was one individual during the Golden Age of sideshow who was simply considered indescribable. Those who looked upon Zip the Pinhead simply had to exclaim, ‘What is it?’

Born in 1842 as William Henry Johnson, Zip was technically a pinhead - however his condition was not nearly as pronounced as many of the other pinhead performers. However he enjoyed an incredibly long and profitable career and over those many years he was known by many names. At various stages in his career he was ‘The Monkey Man’ or ‘The Man-Monkey’. He was also known as ‘The Missing Link’, the ‘What is it?’ and Zip the Pinhead.

While William was actually born in New Jersey, those who saw him on stage would swear that he was from another planet. When P. T. Barnum recruited him in 1860 and transformed him into Zip Barnum shaved William’s head –except for a small tuft on the top of his head – and dressed him in a bizarre fur suit and then pitched Zip as a missing link. Barnum claimed that zip was ‘found during a gorilla-hunting expedition near the Gambia River in western Africa’ and he also claimed that Zip was the member of a ‘naked race of men, traveling about by climbing on tree branches’.

Zip dove into his character. He would never speak during a performance and would only grunt when addressed or questioned. Legend actually has it that Barnum paid Zip a dollar every day to keep quiet and in character. By all accounts Zip earned that dollar by acting like a complete and total madman.

Charles Dickens visited and attended a performance by Zip in 1867 as a personal guest of P. T. Barnum. As he watched Zip on stage behaving like a lunatic – with his pointed head a hair suit – Charles learned into Barnum and asked quite seriously, ‘Barnum, what is it?’. Barnum was ecstatic at this reaction and repeated the ‘What is it’ phrase on posters, pamphlets and billboards so extensively that for a time many people thought the character William portrayed was actually named ‘What is it’, and not Zip at all. Regardless of the confusion, Zip became Barnum’s most consistent draw and due to that position Zip became one of the better paid performers - $100 a week in addition to that $1 a day ‘hush money’.

Zip outlasted Barnum's solo ventures and continued to work with Ringling Bros. and Barnum and Bailey shows. He was often featured at Coney Island and in dime museums across the U.S. William’s character gradually evolved considerably from the Wildman persona and into more of a comedy act. Zip would carry around a pop gun a fired it off at other performers who threatened his popularity and he later took to playing a violin enthusiastically and so poorly that patrons would pay him to stop. It was also during this time that Zip assumed another nickname – he was known as ‘The Playful Pinhead’. During this time he was very well know for his comedic behavior. When patrons tossed coins onto the stage – as was common at the time – Zip would scurry about and toss the coins back, as if insulted by having someone throw something at him. As a publicity stunt, he came forward during the Scope monkey trial of 1925 and offered himself as evidence.

As he became older and a senior member of the sideshow community Zip became known as the ‘Dean of Freaks’ and he continued to perform into his 80’s until he passed on April 24, 1926 of bronchitis. His funeral was attended by hundreds of fellow performers as he was loved and respected by his peers. The funeral home on that day was filled to capacity with his fellow freak performers - all paying their last respects to the greatest marvel of the era. The funeral must have been quite the sight as mourners included giants like Jim Tarver, the Texas Giant and Jack Earle, the Tallest Man in the World and Fat Lady’s, like Jolly Irene, who required entire pews just to be seated. Other marvelous mourners were not as easily identifiable as Frank Graf, The Tattooed Man wore a modest suit and Joe Kramer, the man with the rubber neck, stood facing forward for a change. Many other human marvels attended the service – from swordswallowers to midgets- and all of them had known Zip for many years.

But there is a lot of speculation as to how well anyone knew Zip. There are a number of questions in regards to the true level of intelligence. Most pinheads suffer from serious mental retardation. However, many of the things Zip did during his lifetime hints that he was highly intelligent. First, and perhaps most convincingly, he maintained his public character 24 hours a day for 66 years. In 1925, Zip became a real hero as he saved the life of a drowning woman during a break from a Coney Island Dime Museum.

His manager through much of his career, Captain O. K. White, helped him save money and Zip died a wealthy man. He owned several houses –one bought and paid for as a gift from Barnum. He left his fortune to his beloved sister and died a famous icon that continues to live on. His manager Captain White claimed he never saw Zip unhappy except when he wasn’t on tour. ‘He amuses the crowd and the crowd amuses him,’ White once said.

Finally, rumor has it that on his deathbed, his final words to his sister were, ‘Well, we fooled ‘em for a long time’.

image: Zip, from the author's collection.
To learn more about Zip and other Human Marvels purchase
American Sideshow by Mark Hartzman.

ACKNOWLEDGMENTS

Labels: , ,

Written by J. Tithonus Pednaud
Link to this Human Marvels article