Wednesday, September 26, 2007
Percilla - The Monkey Girl
The case of Julia Pastrana has long been held as a tragic example of exploitation. The remarkable bearded prodigy lived a life of manipulation and in death her body was abused and disgraced by callous souls and ignorance. The life of her contemporary could have easily followed the same shadowed path however her story is of true love, inner beauty and respect.

During her long life Percilla Lauther was known by many names. Originally she was descriptively dubbed 'the hairy little girl' and later as 'the monkey girl', but it is quite likely that she will forever be remembered by those dear to her as Percilla Bejano – loving wife of Emmitt the Alligator-Skinned Man.

The hirsute Percilla was born on April 26 of 1911 in the Puerto Rican town of Bayamon. Percilla had been born with hypertrichosis, she possessed two rows of teeth and drew immediate attention from the public and the medical community. Percilla's father was a native of Spain and he did not know what to make of his hairy daughter initially. Percilla's parents traveled to New York City seeking answers from American doctors and there they remained for seven months until Percilla's father developed the idea of exhibiting his daughter for profit.

Percilla's father was not a greedy man. He merely saw an opportunity to make the most of the situation nature had thrust upon his daughter. However his limited knowledge of English and business made promoting Percilla difficult and he approached showman Karl. L. Lauther for assistance. Lauther was an accomplished promoter and he owned and operated several shows during his lifetime. He took an instant interest in Percilla and hired her on the spot. Lauther also hired an assistant to help Percilla's father care for the child after his wife returned to Puerto Rico. That arrangement was short lived however, as Percilla's father was shot and killed in Gainesville. Upon his death, and according to his final wish, Lauther adopted young Percilla as his own daughter.

Percilla never said anything ill of her adoptive father, thus one may assume that he was a compassionate and loving man. In fact all evidence indicates that despite exhibiting Percilla for profit, Lauther was extremely sensitive to the public perception of his adoptive daughter. Lauther disliked the fact that the public took to calling Percilla a 'monkey girl' and verbally lashed out at anyone bold enough to call her a 'freak'. But the 'Monkey Girl' moniker stuck and Lauther gave in and began to publicly pair Percilla with a trained chimpanzee named Josephine. He may have had the last laugh, however, as the two attractions were juxtaposed. Percilla would warmly and graciously welcome guests to her exhibit while Josephine would rudely smoke cigarettes and spit.

In the late 1930's, while performing with the Johnny J. Jones Exposition, Percilla met fellow marvel Emmitt Bejano, the Alligator-Skinned Man. Despite her heavy beard and his ichthyosis a sweet romance blossomed between the unique couple. The pair saw past their physical differences. Emmitt was a man with calloused skin who spent performance intermissions submerged in vats of ice water because he could not sweat. Emmitt was quite literally 'thick skinned' and he had a 'hard shell to crack' but beneath he was a compassionate, gentle, charming and passionate man. Percilla, despite looking more beast than beauty, was elegant, eloquent and possessed and enchanting singing voice. Before long Percilla realized that the gentle Emmitt was the love of her life and the two eloped in 1938.

A year later, the couple welcomed a daughter, Francine, into their family. Unfortunately pneumonia extinguished her life after a scant four months.

When Emmitt and Percilla returned to exhibition they were promoted as the World's Strangest Married Couple. Percilla and Emmitt shared the stage and most notably worked for Ringling Brothers and other shows successfully for over a decade. They appeared together in the 1980 film Carny opposite Jodie Foster and Gary Busey. Eventually the couple grew tired of life in the public eye and opted to retire to a private life in Gibbstown, Florida. There the two remained madly in love for many more years. Their union ended with Emmitt's passing in 1995.

Percilla carried on, clean shaven for the first time in her life, and briefly appeared in various documentaries and on the Jerry Springer show where she charmed the audience with stories of her beloved Emmitt and by shyly singing his favourite song 'It's a Long Way to Tipperary'.

Percilla herself passed away in her sleep in February of 2001. She is dearly missed by all who knew her.

Image: 'Priscilla' circa 1940.
You may read Percilla's pitch book here.
A transcript of her Jerry Springer appearance can be found here.

ACKNOWLEDGMENTS

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Written by J. Tithonus Pednaud
Link to this Human Marvels article
Monday, March 05, 2007
The Werewolf Syndrome - Hypertrichosis
The Wolf Boy, Living Werewolf or Dog-Faced Boy have been fixtures of the sideshow world for centuries. Jo-Jo, the Dog-Faced Boy is likely the most famous of the lot however cases of hypertrichosis have been reported and documented long before Jo-Jo.

Hypertrichosis is really a blanket medical term that refers to excessive body hair. It can actually be generalized, symmetrically affecting most of the torso and limbs, or localized, affecting only a small area or location. The term is, however, usually reserved to refer to very above-average amount of normal body hair that is unwanted.

Nearly all the skin of the human body – with the exception of the palms and soles of the feet – are covered with hairs or hair follicles. The density of the hairs per square centimeter, the thickness of the hairs, color of the hairs, speed of hair growth, and qualities such as kinkiness tend to vary from one part of the body to another and also from one person to another. But in hypertrichosis all of the various controllers for the regulation of that genetic information are these lacking, damaged or none existent. Furthermore, there are a few subcategories of hypertrichosis.

Congenital hypertrichosis terminalis is the variation most people associate with the condition. This version involves all over body hair growth. Interestingly this form of hypertrichosis is almost always associated with gingival hyperplasia – meaning these ‘savage and vicious’ wolf men often posses very few teeth. Furthermore persons afflicted are said to have soft, smooth and gentle voices. Naevoid hypertrichosis is an unusual form of hypertrichosis where a solitary circumscribed area of hair growth occurs. It is not usually associated with any other diseases, except if it arises as a faun-tail on the lower back, then it may indicate underlying spina bifida. Naevoid hypertrichosis can occur at birth or appear later in life and symptoms can range from hairy tufted ears, tails, a heavy unibrow or excessive beard growth in females and males alike. Finally, Congenital hypertrichosis lanuginosa is a very rare form of hypertrichosis with only about 50 cases reported worldwide since the Middle Ages. The condition is characterized by excessive hair growth on a child at birth. Most of the body is covered with lanugo hair, which is a fine, soft and silky hair that covers the fetus and which is usually shed at around 8 months gestation and replaced with fine vellus hair. In this condition the hair continues to grow throughout life. The initial shock of a fur covered infant, however, is luckily a very rare occurrence.

The exact cause of hypertrichosis is unknown. But it is believe to be a genetic disorder that is inherited or occurs as a result of spontaneous mutation.

ACKNOWLEDGMENTS

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Written by J. Tithonus Pednaud
Link to this Human Marvels article
Wednesday, January 31, 2007
Barbara Urslerin - The Hairy Maid
Barbara Urslerin presents one of the earliest and most well documented historical cases of hypertrichosis on record. ‘The Hairy Maid’ was born in February of 1629 near the village of Kempten, Germany. She was purported to be the only member of her family afflicted with the mutation which is rather unique situation and quite different from the case of her nearest predecessor Petrus Gonzales.

All records indicate that Barbara was exhibited from a very early age. Her displays centered around her skill on the harpsichord, which she played happily and skillfully. Her existence was first confirmed in 1639 when anatomist Thomas Bartholin saw her exhibited in Copenhagen. Bartholin had opportunity to examined Barbara and he wrote that her ‘entire body was covered with soft, blond hair and a luxuriant beard’.

In 1655, Barbara was documented in London and English writer John Evelyn visited Barbara her there in 1657. He wrote that she was married to a German man by the name of Johann Van Beck and had one normal child. In 1660 records show that Barbara was touring France and her husband was acting as her agent. When she came to Beauvais, her husband applied to the local bailiff for permission to exhibit a ‘strange prodigy of nature’.

In 1668 Barbara returned to London. She was examined there by the Dane, Holger Jacobsen. He hypothesized that Barbara was the result of a mating between woman and ape. His idea was outdated for even his time. His notes indicated he examined her fully for any similarities to a monkey.

Following her 1668 visit to London, Barbara Urslerin disappeared from record. Given he unique appearance, this disappearance is incredible. Still, her final history remains unknown.

Excerpts of the above taken from the work of Jan Bondeson and his book The Two Headed Boy.

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Written by J. Tithonus Pednaud
Link to this Human Marvels article
Wednesday, January 03, 2007
From The Archive: Tai Djin - Kung Fu Werewolf
Sometimes a story comes along that contains so many fanciful elements one must assume that it is the work of fiction. Such is the story of Su Kong Tai Djin.

Tai Djin was born in China in 1849. He was born unique, afflicted with hypertrichosis. Unlike Jo-Jo, who would be born a few decades later, Tai Djin was born into a highly superstitious family. As A result they saw his affliction as the work of demons and he was left in the forest to die.

A Shaolin monk traveling through the forest discovered the child and took him back to the Fukien Shaolin Temple. There Tai Djin was raised by the monks.

He was trained in martial arts and it quickly became apparent that he was exceptional in both appearance and ability. The boy must have been a sight practicing kung-fu with his face covered in fine fur. He quickly became a favorite of many of the Shaolin masters and, as a result, each master passed their knowledge on to Tai Djin.

He was a sponge and mastered every technique shown to him. He became the first to master over 200 different empty hand systems and over 140 weapon systems. His various specialties included the infamous Chi Ma, or ‘Death Touch’. After several years of extensive training he became the first Grandmaster of Shaolin and one of the first to master all skills of the seven Shaolin temples.

He became know as Su Kong Tai Djin. Su Kong simply means, Grand Master.

Perhaps the most amazing part of this story is that it is all true. Su Kong Tai Djin was a real man, he really did have hypertrichosis, he was a real Grandmaster and the first man to master all seven styles. He was witnessed by many, and revered by many more. He lived on for many years and passed away in 1928 after teaching many others to be masters.

image: Su Kong Tai Djin, the Shaolin Grandmaster.

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Written by J. Tithonus Pednaud
Link to this Human Marvels article
Monday, November 27, 2006
The Sacred Family of Burma
In 1826 an expedition led by John Crawfurd visited the court of Ava, a province in Burma. In his published account of the visit, Crawfurd described meeting a wolf man named Shew-Maong. The account was the first documented encounter with hypertrichosis since Petrus Gonzales.

At the age of five, Shwe-Maong was given to the King of Ava as a gift. He took to the role of court jester and entertained the King so completely that the sovereign presented Shwe-Maong with a beautiful wife at the age of 22. Crawfurd wrote that the union produced 4 children. A daughter, named Maphoon, was covered with hair like her father.

In 1855, a second expedition to Ava updated the tale. Captain Henry Yule wrote that Shwe-Maong had been murdered by thieves. His daughter Maphoon, now thirty-one, was married to an average Burmese man. Her marriage was not a simple affair as the King was forced to offer a large dowry to any man who would wed her. The union resulted in two sons and one, Moung-Phoset, was as furry as his mother and grandfather.

In 1885 the Third Burmese War began. During this revolution the palace at Ava was burned and its inhabitants murdered. The hairy family of Burma managed to escape into the forest. By this time Moung-Phoset had several of his own children. He had one daughter named Mah-Me, who was also hairy, but she died either shortly before or during the escape. Maphoon was still alive but blind and invalid, thus Moung-Phoset carried her on his back to safety.

One year later the family began to exhibit themselves for profit. In the summer of 1886 the family was visited by one Mr. J. J. Weir in England and he described them in detail. He reported that Maphoon, while weak and blind, was both lively and pleasant. He also stated that not only was Moung-Phoset covered with soft, brown hair but he was also heavily tattooed from below the waist and to the knees. Weir was astounded by the level of education displayed by the family. He remarked that their appearance did not do justice to their intellect.

From England, the family moved on to Paris. In 1888 they appeared in the United States with P.T. Barnum. They were billed as ‘The Sacred Hairy Family of Burma’. But following that stint in the United States, the family disappeared. Unbelievably, their remaining history is unknown.

Read more about The Sacred Family of Burma here.
Also, for more images, check out Monsters: Human Freaks in America’s Gilded Age.

image: Moung-Phoset and Maphoon during their time in the United States, taken by Charles Eisenmann.

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Written by J. Tithonus Pednaud
Link to this Human Marvels article
Friday, September 29, 2006
Lionel - The Lion-Faced Boy
Stefan Bibrowski was born in 1890 in Warsaw. He was discovered by a unknown German showman at the age of four and, with the permission of his parents, he began his exhibition career in 1895. He was given the name Lionel The Lion-Faced Boy and a back story involving his mother witnessing his father being eaten by a lion was added to his biography. This was cited as the cause of his four inch long fur and the concept - know as imprinting - was a commonly held belief in the 1800's.

He did indeed have hypertrichosis and by all accounts was a very intelligent man who spoke at least five languages and had aspirations of being a dentist. Physically he was not an imposing figure as his official height was only five feet, three inches. Also, as is common with many forms of hypertrichosis, Lionel only had a couple of teeth in his mouth.

Lionel toured mostly in Europe but he did do several American tours - almost always with Barnum & Bailey Shows and once with Coney Island Dreamland Circus in New Jersey. He actually truly enjoyed the opportunities provided by his unusual hairiness. In fact, in 1904 in New York, the hotel he was staying at caught fire and Lionel was the very first man out. He was terrified of having his furry faced singed. He was quoted as stating if that happened he 'would just be an ordinary man'.

Shortly after becoming a German citizen in 1932, Lionel passed away. He had no wife and or children on record.

Images of Lionel are often confused with those of Jo-Jo and for decades images of the two were interchangable and few realized the men where two individuals.

ACKNOWLEDGMENTS

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Written by J. Tithonus Pednaud
Link to this Human Marvels article
Monday, July 17, 2006
Fedor Jefticheive - Jo-Jo The Dog-Faced Boy
In 1873, Europe became acquainted with a wolf man. A 55 year old Russian man named Adrian Jefticheiev, covered in hair, began to appear at various exhibitions. He was accompanied by his equally hairy illegitimate son. The ‘Wild Man from the Kostroma Forest’ was billed as being the product of an affair between a bear and a Russian peasant woman. In reality he was a man afflicted with hypertrichosis very much like his predecessor Petrus Gonzales. However, while Gonzales was a gentle civilized soul trapped within an animalistic body Adrian lived up to his wild appearance.

Early in his life, Adrian fled his village and became something of a forest hermit. His taste for alcohol spiraled out of control and he was, by all accounts, a cruel drunk. Many visitors to his exhibition were disgusted by his unkempt and debauched appearance. His appearance was in stark contrast to that of his toddler son, Fedor.

The young boy, his features not yet obscured by a thick growth of hair, charmed audiences with
his impish attitude and inquisitive nature. He relished speaking to audiences in their native languages.

As quickly as they appeared, the pair disappeared. Nearly a decade later a young man billed as Theodore Petroff appeared and began a long career in sideshow.

European audiences were told that hunters found young Theodore in the wild, captured him, taught him to be civilized and set him on to tour the world. In reality he was Fedor Jefticheive. His father, after returning from his 1873 European tour, promptly drank himself to death with his earnings.

In 1884 the wolf boy met one of P. T. Barnum’s many talent agents during a tour of Liverpool. He saw great profit in joining Barnum in America and did so that same year. It was there that he was given the name Jo-Jo ‘The Dog-Faced Boy’. During his time with Barnum he was billed as
‘The most prodigious paragon of all prodigies secured by P. T. Barnum in over 50 years’. At his first public unveiling he was met with audible gasps from the assembled media. His animalistic looks contrasted the neatly pressed and ornate Russian cavalry uniform he wore. Barnum fielded questions and, after members of the press were affirmed that Jo-Jo did not bite, they lined up and took turns tugging on his facial hair.

At times Jo-Jo lived up to his namesake by growling and snapping and members of the audience. A bite from Jo-Jo would have been nothing serious as his form of hypertrichosis robbed him of all but two teeth. At other times he was quiet and dignified. He was known to be a gentle and generous man. He was described by the New York Herald as being as playful as a puppy with his audiences and ‘the most absorbingly interesting curiosity to ever reach these shores’. He was an avid reader and spoke as many as five languages. Following his stint with Barnum he continued to tour the world. He briefly returned to the United States to join up with
the Barnum and Bailey’s Circus.

In 1904, during a tour of Greece, Jo-Jo contracted pneumonia. He died shortly thereafter at the age of 35 with no heirs or romances of note. However, when new of his passing reached the United States he was mourned by sideshow performers and enthusiast everywhere.

Image: Jo-Jo during his time with Barnum and Bailey.
For more information on hypertrichosis, I highly recommend Mutants by Armand Marie Leroi.

ACKNOWLEDGMENTS

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Written by J. Tithonus Pednaud
Link to this Human Marvels article
Wednesday, June 14, 2006
Krao - The Missing Link
Darwin's theory of evolution – and man's implied ascendancy from an ape-like creatures - is controversial. When it was first introduced to the public, most people though the idea was preposterous. Until the apparent 'missing link' between man and ape appeared in a Philadelphia dime museum.

Krao was born is Siam, modern day Thailand, in 1876. From birth, the girl was completely covered with hair, including a mane-like track of hair flowing down her back from between her shoulder blades. She was discovered at the age of six by a promoter exuberantly named the Great Farini. Farini took the girl on a successful tour of Europe before starting a tour in the United State. While the dime museum was a starting point, it wasn't long before Krao was a sought after marvel featured by the Ringling Bros. and Barnum and Bailey Circus.

While often called 'The Ape Woman' Krao was principally advertised as 'Darwin's Missing Link'. To all those who saw her, she was proof of Darwin's ideas. It was claimed, somewhat ridiculously, that Krao was of a race of tree dwelling, ape-like people but many bought the story – including noted naturalists and scientists. Numerous papers were written on Krao and her role as Darwinian proof. In the 1896 tome Anomalies and Curiosities of Medicine, the authors noted her many ape qualities including her 'prehensile feet'. In reality Krao was a young woman of above average intelligence who was both well read and multilingual. She just happened to suffer from an advanced form of hypertrichosis.

Unlike Julia Pastrana, Krao was fortunate in that she was never exploited. She performed and displayed herself in her own terms for most of her adult life. She was free to do as she pleased and spent the last 20 years of her life in a private apartment, entertaining guests and neighbors with her cooking and charming personality.

Krao never married, although she had admirers, and she passed due to influenza on April 16th, 1926.

Images: Krao photo taken from Anomalies and Curiosities of Medicine, an early broadside advertising the infant Krao and Krao later in life.


ACKNOWLEDGMENTS

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Written by J. Tithonus Pednaud
Link to this Human Marvels article
Friday, June 02, 2006
Mme. Clofullia - The Bearded Lady of Geneva
Long before The Bearded Lady was a staple in the sideshow, bearded ladies were already revered in the mythology and folklore of the old world. In the fifth century B.C.E. Hippocrates himself, the father of modern medicine, documented a bearded priestess named Athena. It was believed that her beard empowered the priestess with special clairvoyant abilities. In the Middle Ages most bearded ladies were regarded as witches, however one 14th century Spanish nun - and bearded woman - was sainted. The festival of Saint Paula the Bearded is still celebrated every January 20th. Also, believe it or not, Saint Paula is not the only follicular endowed religious figure. July 20th is the Feast of St. Wilgefortis, she was the daughter of the King of Portugal and another rumored Bearded Lady. It has also long been rumored that the 15th

century regent of the Netherlands, Margret of Parma, was bearded. However that tale is likely pure fiction. An embarrassing tale likely told by her detractors.

It wasn't until the Renaissance that Bearded Ladies began to exhibit themselves for profit. Julia Pastrana was likely the most famous of the Bearded Ladies. However Mme. Clofullia was a close second in her time.

Born in 1831 in the Swiss village of Versoix, Josephine Boisdechene was born covered with fine fur and she was bearded by the age of two. Today her condition is know as hirsutism, which is a variant of hypertrichosis. However, local doctors were baffled by her condition and most were hoping the young girl would simply 'grow out of it'. It was recommended that she be taken to doctors in Geneva when she was older. At the age of eight her parents did just that however, by that age, her beard was already over two inches long. The Geneva doctors were baffled as well and Josephine's parents did not know what to do, they even feared that shaving the beard would result in its growing back longer and thicker. Instead, they opted to hide Josephine as best they could and shipped her off to boarding school.

Boarding school provided Josephine with grace, charm and an elegant etiquette. Despite the fact that she was quite a fine lady, by the age of sixteen, Josephine's beard measured over six inches and her appearance was drawing crowds. Attempting to make the best of her unique situation, she began to exhibit herself in Geneva and France with her father acting as her agent. It was in France that Josephine met a bearded artist named Fortune Clofullia. The two fell in love and were soon married. Now known as Madame Clofullia, Josephine attempted to quiet the rumors that she was a man by becoming pregnant and giving birth to a normal baby girl in 1851. The public and doctors were satisfied by this, however the infant died after only 11 months. She bore a second child, this time a boy named Albert, only a few months after the death of her daughter. Albert was quite a handsome and healthy boy, however he too sported a fine beard as an infant.

P. T. Barnum eventually signed Madame Clofullia in 1853 and she began to appear at his American Museum in New York as 'The Bearded Lady of Geneva'. During her displays with Barnum, Josephine looked regal. Her femininity was accentuated by her Victorian wardrobe, her beard was styled after Napoleon III and it was often opulently adorned with jewels. As her popularity as an attraction grew, rumors again began to circulate that Josephine was a man. The issue eventually ended up in a court of law. The trail was a media frenzy. Doctors were eventually called to testify and three signed an absolute affidavit that 'The Bearded Lady' was indeed a complete female.

To this day, rumors persist that P. T. Barnum himself was the originator of those rumors. When one considers that during the trial over 3 million people paid Barnum to see Mme. Clofullia accompanied by her son Albert – as the 'Infant Esau', that hypothesis seems quite plausible.

Mme Clofullia continued be be popular for quite some time after her trial. However, despite her fame the happenings of her later years are unknown. Her later history is lost to time and her date of death is unknown.

Image: reproduction of a photo by Charles Eisenmann.

ACKNOWLEDGMENTS

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Written by J. Tithonus Pednaud
Link to this Human Marvels article
Saturday, April 29, 2006
Julia Pastrana - The Nondescript
The prodigious Julia Pastrana was known by many monikers during her life and perhaps just as many names in death. Both her life and her death are rather sad tales, but they hold a very special place in sideshow history because, for a time, she was not considered a member of the human race.

Julia’s origins are shrouded in mystery. It is believed that she was born in 1834 to a tribe of ‘Root Digger’ Indians in the western slopes of Mexico. However, what is highly obvious is that Julia had appearance unlike any marvel before her on record. In addition to excessive hairiness over her body – predominately in the face – Julia also possessed a jutting jaw and swollen gums. In odd juxtaposition to her ape like features, Julia possessed great poise, and a well developed a buxom four and a half foot figure.

Her documented career began in 1854 as she was exhibited in New York at the Gothic Hall on Broadway as ‘The Marvelous Hybrid or Bear Woman’. Her ‘handler’ was one M. Rates who allegedly discovered the young Julia as a servant girl to the governor of Sinaloa, Mexico. While in New York, Julia attracted the attention of many scientific minds and media moguls. One newspaper described her as ‘terrifically hideous’ and possessing a ‘harmonious voice’ – which gives evidence that she sang during her exhibition. One of the members of Medical society to examine her was Dr. Alexander Mott who declared her ‘the most extraordinary beings of the present day’ and ‘a hybrid between human and orangutan’.

Julia then moved on to Cleveland with a new promoter, J. W. Beach, and it is there that Dr. S. Brainerd declared her a ‘distinct species’. That analysis was, of course, quickly added to all subsequent promotional materials.

Julia impressed many with her charm and grace. When invited to attend a military gala, she waltzed with many of the braver men there and, while in Boston – billed as the “Hybrid Indian: The Misnomered Bear Woman – Julia again impressed with her grace and singing voice. So much so that she was put on exhibition by both the Horticultural Society and the Boston History Society.

Julia was preceded in London, England by impressive newspaper announcements touting her as ‘a Grand and Novel Attraction’. Now going by the epithet ‘The Nondescript’ – a term that in this era mean something unexplainable – Julia was now being show by one Mr. Theodore Lent and was a rousing success. In fact, the bulk of the documentation on Julia comes from this time period, when London reporter could not stop debating her origins and describing her appearance in lengthy articles. In these articles, Julia is described as being very civilized and domestic. In addition to her native language, she also spoke Spanish and English quite well. She loved to travel, cook and sew. She willing gave herself to medical examination and was said to have an eager thirst for knowledge. These articles also seemed to emphasize that she was both happy and content with her situation and she did not covet wealth – though her ‘handler’ Mr. Lent surely did. During her performances in London, Julia sang romances in both Spanish and English and danced what are described as ‘fancy dances’ – likely traditional Spanish numbers.

After London Mr. Lent secured a tour of Berlin and in Leipzig, Julia played the leading role in a play called Der curierte Meyer. In the play, a young German boy falls in love with a woman who always wears a veil. When the young man was not on stage, Julia would lift her veil to the great amusement of the audience. The play ends with the young man finally seeing his beloved – and being cured of his infatuation. Following the play, the weekly magazine Gartenlaube published an extensive interview with Julia – an article published with a fantastic life sketch by the artist H. Konig (pictured above). The article consisted of Julia speaking on her tours of America and London and of the numerous marriage proposals she had received. She claimed to have turned down over twenty admirers because ‘they were not rich enough’. That was a response that the reporter suspected Mr. Lent had coached – in the hopes of attracting a rich suitor.

That notion was short lived and Mr. Lent, wary of loosing his investment in Julia to rivals, married her in 1857. While there is evidence that Julia was infatuated with her husband, Mr. Lent was not a kind man. While in Vienna he forced Julia to undergo sensitive physical examinations and barred her from leaving their apartment during daylight. As their tour through Poland and on to Moscow continued, Mr. Lent became more and more controlling. In late 1859, while in Moscow, it was discovered that Julia was pregnant. The doctors feared a difficult childbirth due to Julia’s stature and narrow hips; however Julia was more concerned that the baby should take after its father. On March 20, 1860 her fears were confirmed when she gave birth to a hair covered newborn boy. The child lived only thirty-five hours.

Julia died five days later.

During her lifetime Julia, though treated little more than an object by her promoters, did meet many influential people. She was visited by P.T. Barnum himself and even Charles Darwin acknowledged her in his book The Variation of Animal and Plants under Domestication with the words ‘Julia Pastrana, a Spanish dancer, was a remarkably fine woman – she had a thick and masculine beard’. Her condition at the time was unknown, yet given all the evidence: excessive hair, melodic voice, dental deformations and a child born with excessive hair– it is likely that she suffered from a form hypertrichosis lanuginose. All of her interviews and personal anecdotes promote the idea that she was a happy and content woman – pleased with her lot in life. Yet, one is left with a sour feeling when reflecting on the events of her life.

However, that is nothing compared to the feeling one suffers when recounting her afterlife.

Shortly after her death, Mr. Lent continued his commercial aspirations with Julia. He sold her corpse, as well as the body of his son, to Professor Sukolov of Moscow University. The Professor took the bodies to his Anatomical Institute, dissected them, and then – using unknown embalming techniques – mummified the bodies of Julia and her son. The entire process took six months and the results, while macabre, were impressive. Unlike the mummies of ancient Egypt, these mummified remains retained their color, texture and form and appeared very lifelike. Sukolov placed the mummies in the anatomical museum of the University where they attracted great crowds.

When Mr. Lent heard of the profit his wife and child were earning in death he went about legal proceedings to reclaim them. He presented his marriage certificate to the American consul and Sukolov was forced to release the remains. Lent tried to put the mummies on display in Russia but the authorities refused as they were outside the confines of a scientific institute. Thus, in February of 1862 Lent return to England to show Julia Pastrana again. The price was only a shilling and, with the added attraction of the mummified infant, the exhibit was packed with onlookers. Inside it was said that the ‘Embalmed Nondescript’ stood dressed in one of her many dancing costumes while her son stood to her left – atop a small pedestal and dressed in a sailor suit.

When the popularity of the exhibit began to fade, Lent rented the mummies to an English traveling museum of curiosities. In 1864 they were taken on a tour of Sweden. Most unbelievably, during that same time, Lent met a young lady with a condition very similar to Julia. In fact, unbelievably, the two looked so much alike that Lent married her as well and began touring her as Zenora Pastrana – Julia’s sister. The mummy rejoined Lent for a time and the four of them toured together, however Lent rented to mummies to a Vienna museum and began to claim that Zenora and Julia were one and the same.

Lent and Zenora retired to St. Petersburg in the early 1880’s and purchased a small waxworks museum. Lent was quite wealthy by this time however he was unable to enjoy his wealth as, shortly after retirement, he experienced a mental breakdown and disappeared behind the walls of a sanitarium. It is assumed that he died shortly thereafter.

Zenora left Russia for Munich in 1888 where she reclaimed the mummies and toured with then – this time to ‘prove’ that she was not Julia. In 1889 Zenora gave the mummies to an anthropological exhibit in Munich run by a man named J. B. Gassner before she retired again and remarried to a much younger man.

Gassner took the mummies to various German fairs and, in 1895, he took them to a large circus convention in Vienna and sold them to the highest bidder. In the next twenty-five years the mummies changed hands several times and showed up again in 1921 when a Mr. Lund bought them for his Norwegian ‘chamber of horrors’. At this point, it is unclear if Lund knew these mummies were real as the medical community considered them lost.

In 1943, during the German occupation, the chamber of horrors collection was ordered to be destroyed however Lund was able to convince authorities that a tour of the ‘Apewoman’ - as Julia was now called - would prove beneficial to the treasury of the Third Reich. For several year, Julia and her son toured German occupied territories.

In 1953, Lund stored his chamber of horrors collection, including the mummies, in a large warehouse just outside of Oslo. For several years rumors spread that the warehouse was occupied by a strange ape-like creature and one night in the mid 50’s teens broke into the warehouse and Julia terrified them – some 80 years after her death. The experience and rumors that followed grew so popular that Lund’s son Hans (Lund had since passed away) took the chamber out of storage and back on popular display until the mid 60’s. Still, no one truly realized that these mummies were actual human beings.

That changed in 1969 when Judge Hofheinz, a very wealthy American collector of the unusual hired a small team of detectives to track down the mummies of Julia and her child. It was a circus director named Rhodin who eventually tracked down some pamphlets and posters and made contact with Hans. Now aware of the priceless relic he now possessed, Hans instigated a bidding war only to decline all offers and put the mummies back on exhibit himself. The press picked up the story of Julia and the exhibit proved so popular that it toured Sweden and Norway in 1970. In 1971, they made their way back to the United States – over one hundred year after the living Julia began her career there. The tour was cut short in America due to public outcry and when Hans attempted to return to Norway – he was denied exhibition rights. Undeterred, Hans rented the mummies to a Swedish traveling show until good taste arrived and the exhibition was banned there as well. Defeated, Hans placed the mummies in storage in 1973.

In August of 1976, the storage facility was broken into and the mummies vandalized. The child was badly damaged as its jaw and arm were torn off. His remains were thrown in a ditch outside and before it could be located – it was almost entirely eaten by mice – only scraps remained. Julia now stood alone.

In 1979, the storage facility was again broken into and this time Julia was stolen. It was presumed that it too was destroyed.

Then, in February of 1990, a Norwegian journalist discovered the mummy in the basement of the Institute of Forensic Medicine in Oslo. In 1979 police responded to a call involving some children who found an arm in a ditch. A search of the area revealed the mummified body of Julia, badly mangled. Unsure of what to do or even what it was, the police brought the mummy to the institute where it remained limbo - no one really paying it any attention.

Apparently it is still there – tucked away in some corner covered with a dusty blanket.

image: illustration byH. Konig, originally produced in the magaize Gartenlaube
Adapted from the work of Jan Bondeson and his book A Cabinet of Medical Curiosities and the book Very Special People.

ACKNOWLEDGMENTS

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Written by J. Tithonus Pednaud
Link to this Human Marvels article
Friday, April 14, 2006
Petrus Gonzales - Wolf Boy of the Canary Islands
The sixteenth- and seventeenth-century must have been a simply enchanting time as fairy-tales seemed to spring into reality and the shelves of cabinets of curiosities overflowed with unusual items. The old stories of wee folk, giants and misshapen monsters seemed to be confirmed reality and in 1556 it seemed as though werewolves were also a factual entity when Petrus Gonzales stepped forward into the light of history.

Little is know of the parents of Petrus Gonzales as he was taken, as an infant, from his home in the Canary Islands to be presented to King Henri II in Pairs. Why was Petrus of such interest? Petrus Gonzales’s entire body – including his face, was covered in long, wavy hair and he was an immediate medical sensation.

In 1557, the first formal report appeared, written by Julius Caesar Scaliger. In his report about the famed boy of Paris, Scaliger referred to the lad as Barbet – the same name used to identify a breed of shaggy dog. A second report in the same year confirms the arrival of Petrus in Paris and states that King Henri ordered that the furry boy was to receive a formal education – not to be kind but rather out of curiosity – the King believed that Petrus was a savage and incapable of learning. His progress was monitored closely and he proved the King quite incorrect by not only learning the basics of education but also becoming fluent in the noble gestures, etiquette and tact. He became quite fluent in the language of the affluent, Latin, and took to wearing splendid robes that actually further accentuated his furry covered face. It was in this way that Petrus became a sought after court guest, a prodigy royal dignitaries and ambassadors flocked to see. He became a great asset to the court of King Henri and was rewarded for his service.

At the age of seventeen, in 1573, Petrus married a young French lady and by 1581 he was the father of two children. Both of his children, one son and one daughter shared his unique appearance and the entire family became the most sought after curiosity of the era. In 1581 the family began a tour of Europe. In 1582 their portraits were painted in Munich by the order of Duke Albrecht IV of Bavaria. In 1583 the Gonzales family went to Basel where they were studied by the famed anatomist Felix Plater and he published a detailed account of the visit in his Observationum and further less detailed accounts followed the travels of the family until the early 1590’s.

In the mid 1590’s in Bologna another detailed account updates much of the information on the family as the eight year old daughter of Petrus was the subject of an examination by Count Aldrovandi. The count also commissioned a drawing of the family which now included Petrus, his twenty year old son and two young girls. It is assumed that his wife and eldest daughter had died.

The family seemed to break apart at this point and various members joined up with various European royal courts. A girl by the name of Tognina Gonzales – assumed to be the youngest daughter of Petrus came to public attention and the naturalist Ulysses Aldrovandi claimed in his Historia monstrorum that Tognina was eventually married in the court of Parma and had several children of her own.

For the next 40 years members of the Gonzales family ebbed and flowed from the course of history making brief appearance in noble courts. Considering their unique condition, it is unusual that more accounts and records do not exist. It is unknown what exactly happened to Petrus or his descendants. The last historical mention of a Gonzales can be found in a in a memorial plaque attributed to a Horatio Gonzales - an likely descendant of Petrus - and given to a certain Mercurio Ferrari from 1635 which reads:

Here you see Gonzales, once famous in the court of Rome,
Whose human face was covered with hair like an animal’s.
He lived for you, Ferrari, joined to you in love,
And in the portrait he lives on, still breathing although he is dead.

image: A portait of of Petrus Gonzales.
Excerpts of the above taken from the work of Jan Bondeson and his book The Two Headed Boy.

ACKNOWLEDGMENTS

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Written by J. Tithonus Pednaud
Link to this Human Marvels article